
If you weren't in a band in high school, you fucking wish you were. I'm not talking marching band, pep band, concert band, or jazz band -- I'm talking the "call your friends over, crack open whatever cheap-ass beer the older kids could get you, plug into the garage, focus primarily on the rhyme scheme in the lyrics" band.
Not many people know this (it comes out usually when I've been drinking, bribed, or forced into admitting it), but I was in a band in high school. We wrote our own music, which was surprisingly not shitty (very melodic, actually), but being in the band was more about the lifestyle, the periphery things that accompanied "being in a band" -- we'd sit on this tiny-ass hill overlooking one of the main roads in Suburbia with two mini guitars purchased from a garage sale and talk about how sweet it would be to have a gig and dude, we should write a song about this hill, shit, we should name our BAND after this hill. Damn, we should have brought those beers with us, and okay, let's play a song now. Wait, doesn't So-And-So Johnson play bass? He should play with us. Do you have his number? It's back at the house with the beers? Okay, we'll call him, get the beers, come back out here.
There's one memory I have that encapsulates everything I love about the performance aspect of live music. My friend also had a band, and they had this gig at a youth center in downtown St. Paul. All of us were there, just chilling, excited for the show. Said friend comes running to our group and frantically relates the tragic tale of their rhythm guitarist getting called into work at the last minute, so he couldn't be there, and please please please will someone play? Well, being the helpful and spotlight-stealing whore that I am, I volunteered.
I climbed onstage, threw the tattered notebook page of chord progressions on the ground, and put on the scratched up red Dean Markley. I could feel the heat of the lights above me as I stared into the startlingly black abyss in front of me. I took a deep breath and came to realize in an instant what I was about to do -- be in a band, for real. Play. With musicians. Rock the fuck out. Not worry about the band name or where the beer was. Rock. Out.
I played well that night, and it was a blast (and I woke up the next morning with a severly sore neck from my ridiculous but aesthetically sweet headbanging), but it was the anticipation, the moments leading up to that moment that the drummer counted off and I raised my arm to strike the first chord that I remember the most vividly.
As much as I want to look back on that era with horror and embarrassment, I honestly can't. What's better than sitting in your friends' basements, dicking around with chord progressions that have been played over and over again, listening to albums and saying, "Now, THAT, that's what we should sound like. OHHH FUCK, did you hear that riff? Why can't I play like that? Wait.. wait, the best part is.. wait.. NOW, when the horns come in."
I guess I haven't changed much, have I?
Hey, guess who else was in a band in high school? Our own fuzzy lovable geek, Clay Hansen. He and I have been talking about this subject for quite some time, and it was decided that there should be a blog. Included at the end are three never-before-released cuts from his high school days that have just surfaced. Soon there will be a fraudulent bid on Ebay for the originals.
Clay writes:
"I always wanted to be in a band. I always wanted to stand on stage and have people cheering for me. Of course I did, I was a high school kid once. It started when a good friend of mine (Davis) and I were dicking around in my basement, playing Green Days songs, he on his guitar and I, with my heavenly, choir-of-angels voice, was singing. It wasn't very impressive at the time, but it spurred us to start a Green Day cover band. It rapidly progressed into a non-Green Day cover band because no one wants to hear anyone but Green Day play Green Day songs. We got ourselves a bassist. This tall lanky weirdo by the name of Peter (kidding, he was a good friend of ours,) and our first drummer (my guitarist's buddy Alex).
"We started putting together songs. Peter had a binder full of ridiculous-ass lyrics. Picture if you will, Weird Al Lyrics making sweet Rhesus monkey-love to the lyrical stylings of Anthony Kiedis. The guitar lines were basic at first, but hot. The bass lines never got much further than four chord rock type stuff. The drumming was solid, but we never agreed with Alex much, so we dropped him and picked up my former back-door-neighbor and phenomenal drummer Max. We put together about 13 songs and started playing little tiny shows all over Minneapolis (and Hopkins sadly.) We hooked up with a few other local bands from our area and started putting our own shows together. We were founding members of the now-atrocity that is The Underground on Lake and Grand in Uptown. We recorded a shitty album in my basement, made CD labels, case inserts, and put little stickers with pictures of our guitarists face on them inside the cases.
"Towards the end of our days as a band, we realized we were not long for this music scene, so we decided to record a few songs professionally, for kicks of course (and because I wanted to play around in a studio, if you know me, you'll understand.) What you see here is the results of that session. Bear in mind that this is our later work, and we got consistently darker (read: emo) as we progressed. Specifically, the lyrics got darker. Peter got grouchy or something. Our earlier stuff was way cheerier and sounded like 'Falling Down With Karlos.' So, here it is, an adolescent Clayton singing like a fool. Oh, and the band was called The Combustible Neon Sox. I thought you might like to know. Enjoy."
I present, ladies and gentlemen, the E-DEBUT of the Combustible Neon Sox, featuring the one and only Clay Hansen on vocals.
Falling Down With KarlosFront Porch Candle LightMidnight Bike Ride